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Ocean

Content/Intimacy Concerns: 

If you have content/intimacy concerns you can feel free to contact Lillian, Stage Management, or whoever you feel most comfortable with. This can be to ask any questions or to make a plan to aid with any mental, physical, etc. challenges during this process. If you are in need of incident reporting resources you can visit the University Office for Institutional Equity and Title IX by clicking here.

Look below for more resources:

Safe Space

This page of the website is reserved as safe space when the content of the show becomes too overwhelming. In addition to the contact info above, there are resources below for your perusal. These include music, videos, and meditations as well as info on the technique of de-rolling. If you would like to talk or destress I am also available at my email lmcdermo@andrew.cmu.edu and I will do my best to respond in a timely manner. 

Fish Swimming

Resources

Dark Ocean

1

Calming Music

Various types of relaxing noise such as nature sounds and calming music

Calming Visuals

Various visuals such as breathing circles, nature cameras, and patterns

2

Calming Practices

Various guided meditations such as for breathing, body scans, and sleep 

3

4

Calming Games

Various distracting and calming games such as coloring and word searches

Actor De-Rolling

De-roling is the process of getting out of character and back to yourself in everyday life. Sometimes this can be a simple walk out of the room but with more emotionally heavy plays this can be difficult. This can look different for every artist. To assist with this see the techniques to the right for examples.  

An additional in-depth resource from the Safe Sets Intimacy Coordinators

Techniques:

  • Be Literal! Take off your costume or rehearsal clothes and wear something new that you do not associate with the process or character. Maybe even a shower to "scrub off" the character.

  • Get Physical. Shake off the character by actually shaking and jumping or even by doing yoga and taking a walk

  • Use Your Senses. Play music, spray scents, or wear clothes/ touch textures that are different sensory experiences than those your character would interact with.

  • Do an activity! Call a friend, read a book, or watch media that has a different subject matter than the show.

  • Meditate. Address and clear your mind of the subject matter you are confronting. Acknowledge the strength you are utilizing for this process.

Ayad, Violette. “How to De-Role: 8 Techniques for Getting out of Character.” StageMilk, 14 Feb. 2021, https://www.stagemilk.com/getting-out-of-character/.
“Your Pocket Guide to De-Role.” The Arts Wellbeing Collective, 7 Mar. 2023, https://artswellbeingcollective.com.au/. 

Crisis Lines

National Suicide and Crisis Lifeline: 24/7 

Call 988

National Crisis Text Line: Get 24/7 help from the Crisis Text Line

Text HOME to 741741 to start the conversation.

Allegheny County Resolve Crisis Network 

Call 888-796-8226

Have a wonderful rest of your day

Titanic: The Musical [Ensemble Edition]

Carnegie Mellon University

School of Drama

Spring 2025​​

Dramaturgy by Lillian McDermott; Asst. Madelyn Streisfeld;

Advisor TJ Young

Story & Book by Peter Stone
Music & Lyrics by Maury Yeston
Orchestrations by Ian Weinberger
Director Telly Leung 

Asst. Director by Seth Coppens
Music Director Michael McKelvey

Choreographer Tomé Cousin

Dialect Coaches Gary Logan/Lisa Velten-Smith

Production Manager Emily Carleton

Asst. Production Manager Allison Schneider

Stage Manager Kelsey Harlow

Asst. Stage Managers Lauren Dursky/Reigh Wilson

Asst. Music Director/Rehearsal Accompanist Eli Strain

Music Consultant/Rehearsal Accompanist Catie Brown

Music Contractor George Hoydich

Keyboard Programming Robert Neumeyer

Entertainment Technology Center Lobby Display Collaboration With:

Producer Sarah Wille

Producer Yifei (Fay) Li

UX/UI Designer Anna Kim

Hardware Engineer Jasmin Ali-Diaz

Narrative Designer Devika Santosh

Technical Artist Ruzhang (Jim) Zhao

Scenic Designer Sebastian Zavalza

Project Managers Selina Wang/Nick Wylie

Job Lead Nick Wylie

Props Manager Todd Kulik

Props Coordinator Kristin Ward

Scenic Charge Artist Beth Zamborsky

Lead Scenic Artist Janelle Mosovosky

Scenic Fabrication Asst. Sonja Meyers

 

Costume Designer Olivia Curry

Asst. Costume Designers Tianyu Lei, Sydney de Haan

Costume Shop Manager Tiia Torchia Lager

Draper Brandon Eridan

First Hand Jeremy Pitzer

Accessories/Crafts Caifeng Hong/Carrie Anne Huneycutt

Wardrobe Supervisor Jen Marks

Asst. Wardrobe Supervisor Kendall Swartz

 

Lighting Designer Madeline Miller 

Asst. Lighting Designers Julie Adams/Delaney Price

Lighting Manager Gemma Tait

Asst. Lighting Managers Joshua Egolf/Dean Thordarson

Lighting Programmer Logan Donahue

Lead Lighting Tech Samuel Greco
 

Sound Designer Steve Shapiro

Sound Engineer Sarah Oberg

Asst. Sound Engineer Jessica Williams

Sound Mixers Zach Brown/Emily Brunner

Run Crew:

Nyree Binns, Queenie Chen, Felix Eisenberg, Liam Gillen, Emily Guo, Rachel Laurence, Genie Li, Andy Moats, Suri Noelle, Michaela Plummer, Sophie Pollono, Nia Rodriquez, Arkida Saiwai, Catcher Sanchez, Christian Trimmingham, Sara Oberg

Cast:

Anna Bakun
JP Berry
Siggy Bijou
Max Braunstein
Matthew Diston
Jack Ducat
Ted Guzman
Sean Hodges
Liz Leclerc
Janessa Minta
Ella Noriega
Hudson Orfe
Grant Pace
Matty Palmer
Marco Porras
Carlwell Redmon
Greyson Taylor
Tripp Taylor
Noah Van Ess
Mackenzie Wrape

Orchestra:

Conductor Michael McKelvey

Keyboard Eli Strain

Violin Patrick Forsyth

Viola Maija Anstine

Cello Paige Riggs

Bass Mitch Fleischman

Percussion Pat O’Donnell

Special Thanks from the Costume Department

Goodspeed Musicals

Penn State University

Pittsburgh Public Theater

West Virginia University

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